Green day and u2 the saints are coming
- "The Saints Are Coming" - U2
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- "The Saints are Coming" and the Power of Selective Listening
"The Saints Are Coming" - U2
In September , it was announced that U2 and Green Day were to record a cover version of the song for.and does season episode
The physical single hit shops on November 6, , but a digital version had been released the week previous. The song itself was written and originally recorded by a Scottish punk band, the Skids. When Adamson died in , the Edge delivered a eulogy at his funeral and told mourners that Big Country had written the songs he wished U2 could write. Proceeds would benefit Music Rising, a charity that the Edge had helped create to bring instruments and music programs back to New Orleans. This was the first game to be held in the Louisiana Superdome since it had been heavily damaged during Huricane Katrina the previous year.
The song became an international hit when it was covered in by U2 and Green Day. It was covered again in by Von Thronstahl. The song was also released on their debut album Scared to Dance. The song featured Richard Jobson singing of a man facing inclement weather and personal fears, and reached number 48 on the UK Singles Chart in the week ending 11 November As with the band's following single, " Into the Valley ", it is sung by fans of Dunfermline Athletic F. It is also used as the walk-on music by Premier League club Southampton F. The song's lyrics about storms and drowning came back to light after the events of Hurricane Katrina.
Monday night will be the 10th anniversary of the Green Day and U2 performance to reopen the Superdome, and it was powered by cherry-picking lyrics from songs. That selective interpretation allowed musicians to use countless pre-existing songs as ways to talk about Hurricane Katrina and life in New Orleans after it, even if most of the words in any given song were moot on the subject. The two most talked-about sets from Jazz Fest that year traded heavily on songs half-applicable to the situation. Hanging meaning on phrases that were never meant to carry weight while conveniently overlooking the lines that pointed toward a more genuine understanding of the song may seem like a cheat, but at least people were hearing their innermost doubts and fears expressed with stylish precision—even if only in couplets. Many of the songs written specifically for the post-Katrina experience tried to use a sledgehammer as a can opener and obliterated any recognizable insight in the process.
On Oct. The two bands performed the song a month earlier, at the pregame show of the Monday Night Football match between the New Orleans Saints and the Atlanta Falcons, which was the first game played at the Superdome since Katrina. It was bigger than us musicians. U2 and Green Day had recorded the song at Abbey Road Studios that summer, with proceeds from its sale going to Music Rising , an organization founded by the Edge and producer Bob Ezrin to help New Orleans musicians who had lost their livelihoods due to the hurricane. The Edge was the one who spearheaded the project, choosing the track, about a friend of the Skids who had been killed in Northern Ireland as a member of the British Army, and bringing in Green Day. That call-and-response thing — that happened out of the blue. The video, which is embedded above, combines footage from the studio, the wreckage from the hurricane and the performance at the Superdome.
"The Saints are Coming" and the Power of Selective Listening
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